Nobody’s Son

Mark Slouka, writing for The New Yorker:

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It’s interesting how unsteady a process grief is; the conveyer belt taking me away from him shudders and stalls. Reverses.

“It gets better, right?” I asked a woman I met recently, who’d lost her own father three years ago.

“It changes,” she said.

I can believe that. In the first weeks, especially when I was alone, his death was surreal: late at night, sitting up reading, I could feel it there, just past my sight, like a river seething by in the dark. I couldn’t look at it straight on.

Four months later, I began, once again, to do what I do. Every writer is an anatomist by trade. At some point, it was simply time—time to hack through the rib cage, palp the heart, assess the damage. Hearts, like rocks, can only take so many blows. His had given out once, then cranked up again, run for another twenty-one years (the exact age of our daughter, whom he loved unreservedly), then quit for good. Mine was just stunned.

The writer in me thought this essay was a mess; all over the place in time and space and emotion. The human in me thought: perfect.

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‘Outrage and horror about what was going on'

Mark Mazzetti, writing for The New York Times:

One night in 1971, files were stolen from an F.B.I. office near Philadelphia. They proved that the bureau was spying on thousands of Americans. The case was unsolved, until now.

I think there are some major differences between this story and what Eddie Snowden did, but it seems like an appropriate (almost too good to be a coincidence, even) time to hear it.

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Forgetting It All

Floyd Skloot, writing for The New York Times’ Draft blog:

If I don’t write down a thought — or an image or a line of poetry — the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen. If I have an idea while driving, I ask my wife to take dictation. I have trouble remembering the flow of events, each action erasing the next. In question-and-answer sessions after a reading or during an interview, I forget the question if I’m giving too long an answer. And at the end, I can’t remember any of the questions. The more anxious I am about remembering, the more likely I am to forget.

The last paragraph of this piece will stick with you for a while.

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Be The First—People Will Follow You

TEDxMidAtlantic:

Kakenya Ntaiya made a deal with her father: She would undergo the traditional Maasai rite of passage of female circumcision if he would let her go to high school. Ntaiya tells the fearless story of continuing on to college, and of working with her village elders to build a school for girls in her community. It’s the educational journey of one that altered the destiny of 125 young women.

Just another one of those conscience-melting TED Talks.

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Some Advice For Bon Iver

Dan Ozzi, writing for Noisey:

Justin Vernon, known to Urban Outfitters shoppers around the world as the Bon Iver guy, recently said in an interview that he was likely done with his Bon Iver project. This raises the question: JUSTIN VERNON, ARE YOU FUCKING KIDDING, BRO?

In case you forgot, you have the sweetest fucking job in the world. Aside from Prince William, you lucked into the best possible life a balding 30-year-old white dude could ask for. Let’s break it down real quick.

True. Every word of it. True.

/via ParisLemon

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A Speck in the Sea

Paul Tough, writing for The New York Times Magazine:

Sosinski had a reputation on the docks as a fun-loving loudmouth, a bit of a clown — he actually rode a unicycle — but Aldridge was the opposite: quiet, intense, determined. Work on the Anna Mary was physically demanding, and Aldridge, who was lean but strong, drew a sense of accomplishment, even pride, in how much he was able to endure each trip — how long he could keep working without sleep, how many heavy traps he pulled out of the water, how quickly and precisely he and Sosinski were able to unload them, restock them with bait and toss them back in. Now, alone in the water, he tried to use that strength to push down the fear that was threatening to overtake him. No negative thoughts, he told himself. Stay positive. Stay strong.

You can literally hear the movie execs scrambling to buy the rights to this story. I can’t imagine having the wherewithal to think some of the things that John Aldridge thought while in the middle of the Atlantic Ocean.

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Goodbye, Cameras

Craig Mod, writing for The New Yorker’s Elements blog:

After two and a half years, the GF1 was replaced by the slightly improved Panasonic GX1, which I brought on the six-day Kumano Kodo hike in October. During the trip, I alternated between shooting with it and an iPhone 5. After importing the results into Lightroom, Adobe’s photo-development software, it was difficult to distinguish the GX1’s photos from the iPhone 5’s. (That’s not even the latest iPhone; Austin Mann’s superlative results make it clear that the iPhone 5S operates on an even higher level.) Of course, zooming in and poking around the photos revealed differences: the iPhone 5 doesn’t capture as much highlight detail as the GX1, or handle low light as well, or withstand intense editing, such as drastic changes in exposure. But it seems clear that in a couple of years, with an iPhone 6S in our pockets, it will be nearly impossible to justify taking a dedicated camera on trips like the Kumano Kodo pilgrimage.

I often wonder if I’m wasting my time shooting some pictures with my iPhone and saving the more “important” moments for my Panasonic GX1, which are saved as RAW files and then post-producecd in Aperture. Almost every single person I know who sees these “important” pictures looks at them on an iPhone/iPad or even worse, Facebook. The image quality is immaterial—these are people who claim to not be able to see the difference between the retina and non-retina iPad screens.

The line I’ve always told myself is that at some point in the future, when everyone is looking at their shitty JPEGs and wondering why their memories look so junky, I’ll have my high resolution images to keep me warm at night.

But what if that future never comes?

/via MG Siegler

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Atmosphere-Always Coming Back Home To You (Lyric Video)

Seven’s Travels was a seminal release in my adult life; it was the soundtrack for a road trip to Pittsburgh with a friend during college. 'National Disgrace,' one of the album’s tracks, was my cellphone ringtone, back when cellphone ringtones were a thing. Atmosphere has always been and always will be one of my favorite hip hop groups. This video for ‘Always Coming Back Home To You,’ one of the best tracks on the album, is great. Everyone should go out and buy ten (seven?) copies of the reissue.

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2013: The Year in Apple and Technology at Large

John Gruber:

He’s got it all backwards. The nature of progress is to move incrementally. The great leaps are exceedingly few and far between. One needs to pay attention, to learn to appreciate fine details, in order to appreciate progress as it churns.

A fantastic piece of writing. The last sentence has a tonal resonance to it, like a perfectly struck bell.

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‘I only weigh them.’

Chris Martins, writing for SPIN:

Revered rap producer Madlib is a notoriously difficult guy to pin down for an interview. The staggeringly prolific artist usually prefers to keep his head down, so much so that we were a wee bit surprised to see him in the 2013 documentary about his record label, Our Vinyl Weighs a Ton: This Is Stones Throw Records. But if there's a surefire way to lure the man born Otis Jackson Jr. out of his cave, it's to offer him access to your a massive record collection, assuming you've got something to rival his own.

I have a firm rule: I only listen to Christmas music from 12/1 through 12/31. After watching this video, I think I’m going to go back and revisit my Madlib collection. Watching him appreciate music is contagious.

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